Wales says little, keeps his face hidden in the shadows, has an almost godlike personal invulnerability and lives by a code we have to intuit, because he would rather die than explain it aloud. Unlike in the Leone-Trilogy, his character was transformed into a man named “Josey Wales”, but he maintained all of his abilities. In conjunction with this he now transformed into the leader of a team, and this was representative of the significant change which had taken place in western movies, with the transition from adult western to professionalism.Ĭlint Eastwood is praised as the supernatural “Man with No Name” to the undead, the one who wreaks vengeance to the unforgiven, whose veneer of renunciation gives away revelations of guilt and terror. That shift is illustrated as Wayne was now seen with a rifle instead of a pistol and furthermore exemplified because he saw others who were faster. Chance, Howard Hawks took Wayne out of the fifties and brought him into the sixties. In Rio Bravo John Wayne, the “bigger-than-life-cowboy-hero”, became older and was no longer the lonesome stranger as opposed to his previous appearances. Both movies embody a threshold-situation for each one of them. For this endeavor, two films that constitute a remarkable landmark for those very particular actors are going to be considered – “Rio Bravo” by Howard Marks filmed in 1959 and “The Outlaw Josey Wales” self-directed by Clint Eastwood in 1976.
Chance played by John Wayne and Outlaw Josey Wales personated by Clint Eastwood, will be exerted. In the following pages of this term-paper, a comparison, amongst the characters of Sheriff John T. Pertaining to the movie “The Outlaw Josey Wales”
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